Modern Notebook for October 20 - 26, 2024

Photo: composer Dai Wei (photo credit: Micah Gleason)

On this week’s Modern Notebook with Tyler Kline: Dai Wei’s piece “Honeycomb” is music born out of her own observations of a beehive outside her bedroom window. Stuck inside during the COVID-19 lockdowns, she would watch bees come and go, and later learned how bees passed nectar to one another to form a honeycomb–and this natural process went on to inspire the construction of this piece.


Then: hear music by Akshaya Avril Tucker for trumpet and saxophone, and a piece by Sean William Calhoun called “Plasmonic Mirror.” And a guitar quartet by João Luiz titled “Three Brazilian Pieces,” which serves as a musical portrait of three forms of expression from his native country.


Featuring works by Gala Flagello, Carme Rodriguez, Toru Takemitsu, Daijana Wallace, Nicole Chamberlain, Matana Roberts, Brendon Randall-Myers, and others; and performances by Talla Rouge, pianist Isabel Dobarro, cellist Kivie Cahn-Lipman, UNC Greensboro Casella Sinfonietta, The Merian Ensemble, Unheard-of//Ensemble, trumpeter Kenken Gorder with saxophonist Marina Sakellakis, New York Guitar Quartet, flutist Laura Lentz, and more.


Hour 1

  • Burn as Brightly by Gala Flagello.
  • Carme Rodriguez’s Alalá das Paisaxes Verticais.
  • Shades by Daijana Wallace.
  • Dai Wei’s Honeycomb.
  • Folios by Toru Takemitsu.
  • Nicole Chamberlain’s Atalanta.
  • Frontlash by Nickitas Demos.

Hour 2

  • borderlands… by Matana Roberts.
  • Akshaya Avril Tucker’s frog friends.
  • Three Brazilian Pieces by Joao Luiz.
  • Sean William Calhoun’s Plasmonic Mirror.
  • Cascade by Brendon Randall-Myers.

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